inditing

英 [ɪnˈdaɪtɪŋ]

美 [ɪnˈdaɪtɪŋ]

v.  著作；撰写
indite的现在分词

双语例句

• Aberrance and Renovation of the Connotation of Traditional Artistic Conception Taste in Inditing Poesy in Modern Times; Poetic Dwelling and Logos Yearning: on the Aesthetic Pursuit and Poetic Spirit in Yu Jian's Poems
  传统意境内涵在现代诗歌创作中的变异更新诗意地栖居与逻各斯向往&试论于坚诗歌的审美追求与精神内涵
• This paper, taking psychology mechanism of narcissism complex as the start point, probes into her inner world, art world and the related experience, explores her inclination of narcissism in the inditing.
  本文试从自恋情结这个西方文化的心理机制为契机，深入杜拉斯的精神世界、艺术世界以及与此相关的生活经历，探究其创作中的自恋倾向。
• Inditing is based on lived experience, and readers can communicate with poets by lived experience.
  读者可以通过“重新体验”达到与诗人的沟通。
• Thus, tasting psychological structure determines inditing motives.
  可见，审美心理结构对创作动机起着决定作用。
• Inditing motives and tasting psychological structure are closely related.
  创作动机与审美心理结构有着密切的关系。
• The great source of energy stored from tasting psychological structure is the inner factor of inditing motives, while the outside information stimulation is only a solicitation.
  审美心理结构储蓄的巨大能源是创作动机的内在因素，而外界信息刺激仅仅起一个引发作用。
• In the process, Sushi, a famous poet in Song dynasty, made the inditing of lyrics upgrade and put into mainstream literature with inherent theoretical consciousness, and formed the unique style of his own with the theory of regarding poem as lyrics.
  在这一过程中，苏轼以自觉的理论意识将词的创作提升和纳入士大夫主流文化之内，用以诗为词的理念，自成一家，自创一体。
• The author is convinced that although now it is not the era of SUN Li's, the inditing of prose in SUN's senectitude must be a dazzling star by his unique aesthetic characters in the river of literature history of tomorrow.
  虽然现在或许还不是孙犁的时代，但大师的散文艺术，定将在未来的文学史上，以其独具的美学品格而熠熠闪光。
• The article analyses dramatics personae's self from three aspects about image-building, patriotism and the praises in matter and spirit, so as to give some rewarding enlightenment on inditing contemporary poesy.
  试从自我抒情主人公形象的创造、与时俱进的爱国主义、对科学精神与物质文明的讴歌三个方面进行分析，以期对现代诗歌创作有所启迪。
• Only when the observers have accepted and absorbed the subjects and turn the subjects into aesthetic requirements and psychological motives can inditing incentives come into being.
  只有审美客体刺激了主体，并被主体所吸纳、接受，并转化为主体的审美需求和心理动力时，才能产生创作动机。